![]() ![]() Emmys were later presented to both composers.įried’s “Roots” theme embodied the hopes of African-born slaves for freedom, but much of his score was based on his extensive knowledge of 19th-century American folk music, with lots of banjo, guitar, fiddle and harmonica throughout. They turned to Fried, who had scored their TV movie “I Will Fight No More Forever” the composer received a phone call telling him to “keep your pencils sharp and your mouth shut.”įried was quietly hired, and while Jones’ music was used during the first two hours, set in Africa, the remaining 10 hours of the miniseries – TV’s first serious look at the horrors of slavery in America – were scored by Fried. Wolper and Stan Margulies began to worry that their original choice for composer, Quincy Jones, was missing deadlines and might not finish the music in time for its January 1977 airdate. In November 1976, “Roots” producers David L. With that kind of pressure, you learn real fast what works and what doesn’t.”įried scored episodes of many classic TV series including “Ben Casey,” “Mission: Impossible,” “Lost in Space,” “Gunsmoke,” “Wagon Train,” “Mannix,” “Police Woman” and “Dynasty.” Rarely did he get to write or co-write the themes, although he did in the case of the 1950s jazz western “Shotgun Slade,” the ’60s caveman sitcom “It’s About Time” and the steamy ’80s nighttime soap “Flamingo Road.” There was an orchestra waiting and you had to have the music ready. The schedules were so tight, I had to go on my first ideas. He spoke about the pressures of TV scoring in a 2003 interview for the Television Academy: “In TV, you see it once, go home, and next Friday you’re conducting the music. (Feb.The prolific Fried scored approximately 40 films, some three dozen TV-movies and miniseries, and episodes of another 40 TV series during a career that spanned more than six decades.Īmong his most famous TV series music was from the original “Star Trek.” He scored five episodes of the series, most famously the Spock-in-heat episode “Amok Time,” which featured his Vulcan-battle music that was often used on the series and later parodied on shows like “The Simpsons” and movies including “The Cable Guy.”įried also scored nearly two dozen episodes of the popular spy series “The Man From U.N.C.L.E.,” musically establishing the locales for the globetrotting secret agents and about a dozen episodes of the castaway sitcom “Gilligan’s Island,” which, because of endless reruns, earned him more in royalties than anything else he ever scored. Publishers Weekly Likely to become the standard one-volume history of our Civil War, this vivifies, with palpable immediacy, scholarly acumen and interpretive skill, events foreshadowing the conflict, the war itself and its basic issue: slavery. This authoritative volume makes sense of that vast and confusing "second American Revolution" we call the Civil War, a war that transformed a nation and expanded our heritage of liberty. ![]() This "new birth of freedom," as Lincoln called it, constitutes the proudest legacy of America's bloodiest conflict. Eventually, the North had to grapple with the underlying cause of the war— slavery— and adopt a policy of emancipation as a second war aim. ![]() The book's title refers to the sentiments that informed both the Northern and Southern views of the conflict: the South seceded in the name of that freedom of self-determination and self-government for which their fathers had fought in 1776, while the North stood fast in defense of the Union founded by those fathers as the bulwark of American liberty. Particularly notable are McPherson's new views on such matters as the slavery expansion issue in the 1850s, the origins of the Republican Party, the causes of secession, internal dissent and anti-war opposition in the North and the South, and the reasons for the Union's victory. Packed with drama and analytical insight, the book vividly recounts the momentous episodes that preceded the Civil War— the Dred Scott decision, the Lincoln-Douglas debates, John Brown's raid on Harper's Ferry— and then moves into a masterful chronicle of the war itself— the battles, the strategic maneuvering on both sides, the politics, and the personalities. James McPherson's fast-paced narrative fully integrates the political, social, and military events that crowded the two decades from the outbreak of one war in Mexico to the ending of another at Appomattox. Filled with fresh interpretations and information, puncturing old myths and challenging new ones, Battle Cry of Freedom will unquestionably become the standard one-volume history of the Civil War.
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